The Bukowski Agency - Reproduction

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100,000 words hardcover
Final books now available


US: Europa Editions, April 2020
Canada: Random House, January 2019
World English Audio: Audible
Italy: Keller Editore


Ian Williams (Photo: Paul Joseph)
(Photo: Paul Joseph)

Ian Williams is the author of Personals, shortlisted for the Griffin Poetry Prize and the Robert Kroetsch Poetry Book Award; Not Anyone’s Anything, winner of the Danuta Gleed Literary Award for the best first collection of short fiction in Canada; and You Know Who You Are, a finalist for the ReLit Prize for poetry. He was named one of ten Canadian writers to watch by CBC.
Williams is currently assistant professor of poetry in the Creative Writing program at the University of British Columbia. He completed his doctorate in English at the University of Toronto under George Elliott Clarke. In 2014-2015, he was the Canadian Writer-in-Residence for the University of Calgary's Distinguished Writers Program. He has held fellowships or residencies from Vermont Studio Center, the Banff Center, Cave Canem, and the National Humanities Center. Born in Trinidad, Williams grew up in Brampton, Ontario, and worked in Massachusetts and Toronto before moving to Vancouver.


a novel by Ian Williams



“The debut novel by Ian Williams is a stunner. By any measure. Structurally daring, emotionally profound, intellectually engaged, playful and irreverent, it’s one of those books that makes you feel glad to be alive.” — 49th SHELF

Reproduction US edition cover

Told with the savvy of Zadie Smith, Reproduction is a tale of love among inherited and invented families. Ian Williams’ rambunctious novel sweeps through a world of racial and religious mash-ups, cultural collisions, and cross-pollinations galore. Consider only three of them: Felicia, Army, and Riot.

Felicia Shaw never planned on getting pregnant. But here she is, a young woman from a little-known Caribbean island who can’t be pregnant with Edgar Gross’s baby. Because he’s a married man. Because he’s a married German man who is more than twice her age and who doesn’t want any children. Also because he had a vasectomy.

Then there is Army, her son. Turns out that Army has big plans for his life and a huge capacity for denial. He wants to earn 100K with his garage barbershop by the time he’s sixteen, and by twenty-one he plans to have a cool million. That is, if he can manage the upstairs landlord, Oliver, a needy, volatile, recently divorced man whose teenage daughter is now pregnant. Baby? What baby?

And Riot—Oliver’s grandson, child of a child—all he wants to do is make art films. Who cares if he’s about to be kicked out of school for making porn?

Beginning in a palliative care ward and ending in a cancer ward, Reproduction is the twenty-first-century proof of John Lennon’s famous claim that “life is what happens while you are busy making other plans.” It is the story of strangers from strange places who accidently become forever tangled.


“An intergenerational novel…that examines how love can supersede blood ties. [Reproduction’s] complicated path mirrors how many families are built on experiences that don’t make the photo albums, and illuminates how dark and painful moments can share equal space with joy and laughter…. With Reproduction Williams joins authors like David Chariandy and Catherine Hernandez—whose recent novels are set in Scarborough—showcasing the bounty of stories of those who live beyond the CN Tower’s shadow.” — TORONTO STAR

“Driven as much by its relationships as its characters, and is intensified and enriched by an inventive style that borrows from Williams’s giant poet’s brain.”

“Poet Ian Williams experiments with structure to tall a classic love story…. Reproduction is reminiscent of Miriam Toews’s novel All My Puny Sorrows in its balance between grief and humour. It’s an intergenerational story told in an unexpected way.” — QUILL & QUIRE

“Ian Williams thrives on stylistic daring in debut novel Reproduction…[it] thrums with an array of devices, from a chorus of perspectives to discussions written as asides, which reflects [Williams’s] taste for surprise and delight in literary endeavours&hellip. Divisions due to race and class, and kinship that transcends, embroider his work.” — THE GEORGIA STRAIGHT

“[A] sprawling novel that is both funny and poignant, powerful and playful. It spans 40 years in its exploration of fragile family ties…[and] explores big-canvas ideas about family, love, death, disease, the immigrant experience and even sexual assault.” — CALGARY HERALD

“Reproduction is an inventive and tender portrait of family life in all its forms…. The book’s capacity for levity only lends a sharper contrast to its tragic moments…. With each section, the book reinvents its style of storytelling, widening the lens to include more voices and perspectives…. Reproduction applies a subtle and persistent form of pressure to complex questions surrounding masculinity, violence, family, love, and the ways we care for one another.” —

“This debut novel by poet Ian Williams is a wise, funny, sad multi-generational family saga that proves the more specific a story is, the more universal it feels. It’s the perfect novel for anyone who has a family, either by blood or by choice.”

“Williams’ Reproduction contains examples of the compromises and mutually agreed upon lies that bind families together. The ability of humans to wilfully ignore past misdeeds, to keep secrets for decades and forge on despite human frailty and failings are all clearly depicted in Williams’ story.” — WINNIPEG FREE PRESS

“In this novel about fathers who vanish and the families that spring up in their place, the Vancouver-based poet deftly weaves together the voices of a 14-year-old Black boy, a 16-year-old white girl and a motley crew of middle-aged parents who are all struggling to do right by their children—with mixed results.”
 — CHATELAINE Magazine

“Reproduction’s genius is its weaponized empathy, the precision-etched intensity of Williams’ gritty, witty, wholly unsentimental exploration of the collision of human hearts and the messy aftermath. Love, and its lack, form a spectrum that the characters bounce between, searching for connections, redemption and meaning.”— EDEN ROBINSON, author of Son of a Trickster and Trickster Drift

“The startling brilliance of Ian Williams stems from his restlessness with form. His ceaseless creativity in sussing out the right patterning of story, the right vernacular nuance, the right diagram and deftly dropped reference—all in service of vividly illuminating the intermingled comedy and trauma of family.”
— DAVID CHARIANDY, author of Brother and I’ve Been Meaning to Tell You




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